Performance Lab Workshop Series

Performance Lab Workshops are a series of events in Rotterdam, The Netherlands. It is facilitated by Clara J:son Borg and Amy Pickles, and supported by funding from Gemeente Rotterdam and hosts WORM Rotterdam, who give their UBIK Theatre space to the workshops. Between September and December 2019, three invited artists share aspects of their performance practice in educational workshops.

In 2020 we are taking time to educate ourselves, to listen, to rest and wait. We are waiting for a time when our workshops are possible, considering saftey, and useful, considering who and what we need to learn from.

In 2021 the programme will consist of three workshops with artist Elisa Ferrari, artist and educator Samah Hijawi and dramaturge and actor Renée Copraij.

This website presents debris from past workshops, as records of the events and as tools we hope an extended audience can use. It is a site comprised of reflections, advice and techniques for working with people, working with your body and your voice.

Click on the names of each artist and you will be taken to an account from them, a workshop participant and Amy and Clara as facilitators.

1 <<

Sounds, writing and notes from Joy Mariama Smith on their workshop, 'Reading beyond what is written'





2 <<

Mad About .... Learning, as a process of emergent intimacy from Skye Maule-O'Brien

Before reading this, please read: To all those mad about studying (see Joy's notes).

Relationality reaches across time and space—like the rhyzomatic mycelium network that travels under the sea—it brings us to places; somewhere i/we don’t go, but never the less arrive at. We don’t create in isolation; our lives guarantee intimacy, connectivity. It is there awaiting recognition.

In October, I visited BAK in Utrecht and took a picture of a text composed collaboratively by raoni saleh & joy mariama smith that had been blown up on the wall for Trainings for the Not-Yet. This was my first introduction to, To all those mad about studying.

Rage, passion, madness, joy and pleasure reaches deep.

I felt I understood elements of this mad-ness. I had just moved to Rotterdam after spending six months sitting alone writing; my madness about studying becoming palpable in new ways. I was/am mad.

At the Performance Lab 'Reading beyond what is written', after my late arrival the group gives a quick but generous catch up, and a call and response of names. Then Joy changes into shorts, puts on a playlist and leads us through a series of dance moves to get our blood pumping; to our brains to help us think they tell us.

Return to your old friend: the side step. Keep moving!

Chaka, Chaka, CHAKAKHAN!

Joy asks us to move and engage in ways that we can, whatever that means to us in the moment.

I attempt to move towards the shared space of knowledge making. Knowledge as moving, as movement, as feeling. Learning is always formed in relation and held within the body.

We turn towards the text. The emerging intimacy to the words and each other bring with it waves of energy, moments of pause, intimate conversations, requests for consent, deep listening, and play.

Slow Questioning. Reflective Thought.

What am I doing? Please tell me what you are doing? What are you refusing? Do you need help in your refusals? How can I support you to magnify the ripples of change? Can you help me in my refusal and can our shared refusal help us build solidarity across our differences?

Hold that emergent intimate learning.

Attention shifts when Joy begins typing sentences into a sound generator.

Ooooh, wow!

New sensorial information is activated as the act of reading is stretched further. Mad-ness in flux. Can i/we embody its becoming and unbecoming?

The tight beginning of the day loosens as we move into the afternoon. That same energy is difficult to hold. The end is open. Like the manifesto we have spent the day reading beyond, resolutions are not a given.

For the final activity, my partner dances with her eyes closed as I ensure she doesn’t bump into anyone/ thing else. When we are to switch, I refuse; naw I’m good.

The next day, I scan the text line by line into my computer. I accept the invitation: Come and play with this text. Re-turn. Keep turning away from divisionary tactics and towards the self and back again towards the other. Help each other keep that same critical energy.

Skye Maule-O'Brien reflecting on Joy Mariama Smith's workshop from Performance Lab on Vimeo.



3 <<

Clara J:son Borg and Amy Pickles use typatone to type about 'Reading beyond what is written'

Clara and Amy use typatone to type about Joy's workshop from Performance Lab on Vimeo.